For much of the 20th century, Carl Sandburg (1/6/1878- 7/22/1967) was synonymous with the American experience, a spokesman on behalf of “the people.” One of the most successful writers in the English language, Sandburg was a three-time Pulitzer Prize-winner for his poetry (Cornhuskers, 1918, and Complete Poems, 1950) and part of his six-volume Lincoln biography (Abraham Lincoln: The War Years, 1939). He was also a groundbreaking journalist, folk song collector, children’s storyteller, political organizer/activist, novelist, autobiographer, and captivating performer.
Yet, after his death, Sandburg’s literary legacy faded, and his poems, once taught in schools across America, were dismissed under the weight of massive critical attack. The new 90-minute documentary American Masters: The Day Carl Sandburg Died, commemorates the 45th anniversary of his death, provides a dynamic examination of Sandburg’s life, work, and controversial legacy from a modern perspective. It airs Monday September 24, at 9:00 p.m. on KUED.
Filmmaker Paul Bonesteel exposes Sandburg’s radical politics and anarchist writing during World War I as well as the current burgeoning resurgence of interest in him and his contributions. “Sandburg was both a deeply patriotic American and an anarchist. Labor unrest, global wars, socialism, immigration, and race issues were all subjects that fueled him. Much of his writing is as relevant and provocative today as it was when it was first published and shocked the world,” observes Bonesteel, whose films for public television include The Great American Quilt Revival and The Mystery of George Masa.
Drawing on archival footage and photographs, American Masters: The Day Carl Sandburg Died features spoken word performances, songbook selections, readings, and original interviews. Sandburg’s daughter Helga Sandburg Crile, his grandson John Carl Steichen, Pete Seeger, the late Studs Terkel and Norman Corwin, poets including Ted Kooser, Marc Kelly Smith and Yevgeny Yevtushenko, Grammy-winning musician Dan Zanes, Sandburg biographer Penelope Niven, and notable scholars share stories about Sandburg and reflect on the modern relevance of his vast body of work, including Chicago Poems (1916), The American Songbag (1927), and The People, Yes (1936).
Self-proclaimed “The Eternal Hobo,” Sandburg used his unique life as the basis for his radical free-verse poetry: from impoverished beginnings on the Illinois prairie to the halls of Congress to The Ed Sullivan Show. Entertaining audiences on stage, radio, and television with his performances, Sandburg enjoyed the kind of fame, fortune, and recognition that is rarely, if ever, afforded a poet.
“Carl Sandburg was one of the three American poets we knew and loved when I was in high school. I am so delighted he is being discovered by a new generation today – what a shame to miss out on this man’s elegant words!” says Susan Lacy, American Masters creator and executive producer.
Please visit our website at www.kued.org/jobs for information about job opportunities at KUED.