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H-1- HC: I've spent my life trying to tune into the true spirit of cowboy music.

I like to scan the bands for impossible signals, so far off they fade in and out like unanswered questions.

The fancy harmonies of Hollywood cowboys were great. ... But like all 50,000- watt commercial stations you wonder how genuine the message is.

Sound: Carson Robison and the Buckaroos "neath the western soil, on the lone prairie... hi--o --"

H-2- I play in the Deseret String Band. For 30 years we thought if we just reached back far enough....

Sound: Deseret String Band "I am a Mormon Cowboy..."

H-3 - ....back to something spun out on a 1927 radio wave, we'd find the essence.

Sound: "Utah is my home, Tucson, Arizona is the first place I did roam. And then into El Capitan...."

H-4 All I know is that the blare of the modern world has almost drowned out the thing I love best about cowboy music, the way it feels grounded straight down to the center of the earth.

I remember picking up the most ancient cowboy song ever. It had the feeling but it ended too soon.

Sound: "Western Pioneer" I am a roving a cowboy, the saddle is my home, I'll always be a cowboy, no difference where I roam. I like the noble heroes my help I'll volunteer, and I'll always be of service to the Western Pioneer.... and I won't sing more before dinner."

 

 

 

H-5 I'll never forget tuning to that beacon of heart when I first heard Buck Ramsey sing... He was one of many working cowboys I met who lived their songs and poems..

"The Last Roundup" by Buck Ramsey

H-6 I invited a bunch of these folks to Elko, Nevada in 1985 and the Cowboy Poetry Gathering began. Since then it's turned into a sagebrush arts movement across the West

It took me years even to know how to frame the right question. I still feel sort of stupid asking it... but here goes...


Montage: why, why, why,
Waddie, why does the cowboy sing?

H-7 HAL: Maybe a better question is, why don't astronauts sing... why don't cab drivers have their own music. Or why aren't there accountant or school teacher or golf pro songs.

MUSIC: Hal compose

H-8 HAL: So I cast off on a journey, a pilgrimage really, visiting a handful of cowboy singers across the West, all in the middle of winter, the time when things slow down on the ranch

Music - up

H-9 HAL: Larry and Toni Schutte and their kids Jon and Riata ranch out in a big open valley near Oasis, Nevada. Sometimes you need to start close to home and these folks, though they live 50 miles away from our little ranch, are considered neighbors out here.

SOUND: Schutte#3 @26-morning birds, cows

Schutte#3 @20:25-L- Praise you lord for the beautiful day and fellowship around this table and your hand upon the work…no harm or injury to anybody. Lift up to Jesus' name…amen.

MUSIC: Schutte5 @37:30-41:30 Cowboy Waltz

#3@ 32:34- L- Catcha horse for mother

H-10 HAL: The Schutte's days are filled with an ancient rhythm of seasons and husbandry. They warm up the horses instead of warming up a cars engine before going to work

MUSIC: Schutte5 @37:30-41:30 more cowboy waltz / ends

H-11 HAL: Larry & I like swapping tunes. When we started the Cowboy Poetry Gathering he was one of the main guys. As the whole thing became popular a lot of the talented cowboys began traveling and performing-- after all, there's a high to being on stage and the money doesn't hurt when your drawing cowboy wages. But from the first Larry turned down most invitations. I've always wondered why.


*25:20-L- Well I'm doing what I want to do, but I wanted to stay with my family…that's it. The rest of it can fly. I wanted to raise kids, and I wanted to be with that woman. And we're doing what we wanted to do out here…just blessed to have. Little piece of country, do what we wanna do. We don't make no money, but here were are enjoying the sun. 10 bucks an hour; I'm happy with 3 bucks an hour.

Schutte#7 @36:42 (trim)
T-So you're headed towards the butte with everything?
L-We're going right up the bottom, once we leave that well.
T-Okay. All righty.///
L-Well you're late.
T-(laughs) that's cause you're yakking. (Rides away…)
L-Well…
T-(starts singing, in mic) Ridin old Dan, leadin Old Paint…(laughs)

MUSIC: Pilot DAT#1@ 1:44:15 La Primera / WTCS1/2 @12:13 / Schutte#8 @31:58

Larry: A horse'll teach you preservation. They're the most incredible animal the lord made cuz they're so forgiving. You learn something from every one of them.

BIT MORE MUSIC

J- Yeah nail him! (Hal misses / laughter)

///36:45 L- It's amazing the man can feed himself.

H-12 HAL: The Schutte's have always worked on remote ranches far from school and town. When the kids were young Toni had a choice to make.


ACT: FAMILY BITES-Tony2 / SchutteDAT#3 @32.00- ///33:24- I was terrible in school and I remember when I went to the schoolboard and told them I was going to teach the kids at home, and they said, "Well you know, Tony that's not a really good idea." But I thought, you know, if the Lord wants this family to stay together then He's going to help me and He did! I remember the first day John was reading the old McGuffy readers? He was sitting at the kitchen table and read the first page and his face just lit up and he tore out of the house and went running down the hill, "dad, dad, I can read, I can read." And I thought, you know, if they'd a been in town I'd a missed all that.


MUSIC: "Nevada" Riata singing from CPG

H-13 HAL: Riata and Jon, both in their mid twenties, remind me a lot of their folks when I first knew them. Reata, like her dad, has a passion for singing and even performed solo at the Gathering last year.

H-14 Toni is an artist and has passed that skill on to Jon. Though he'd rather be thought of as a roper and cowboy, art has always come naturally to him.

DAT#3 @26:45-T- He was like 3 years old and he was drawing then. He just, it's like he has a photostatic memory, he can just, you know he's out there working all the time and he comes in and he just you know (makes sound effect for quick drawing) and he's got it done and it's just pretty amazing.

MUSIC: Riata finishes "Nevada" / applause

H-15 - HAL: The Schuttes are an inspiration to me, the way they live with each other, and the way they live on the land. But for them inspiration resides somewhere else.

ACT: Spiritual Bites-Larry10 / DAT#2 @1.25.04 L-I can do nothing on my own. Unless the Lord is in control of all things, which is, everything is His anyway. You're just here being the steward, so you've got to take care of what there is. If you want to be a sluggard and stay in the house you don't deserve it and it'll get taken away from you. But He has blessed us. Everyday you ask for just the guidance on how to go about it. What do I need to go check? And it's always there. He's always being the big patron. That's all we've got.

MUSIC: "Sing Halalujah" Church singing from Schutte #1 @24:30

H-16 HAL: This has been a time of big changes for Reata. When I first visited she was working for her folks on the ranch. Within a year she moved to town, bought a house and started a massage therapy practice. Though she doesn't know it, here at church, she's about to get married and move back to a ranch.

H-17 Jake Brown is the cow boss on one of the big outfits north of Elko called the Spanish Ranch.

Schutte#1 @13:50- H- So Jake, when did you look at Riata, and say 'hey that might be someone to hang out with'

J- Probably 4 or 5 years ago..but I thought oh she's probably out of my league
R- laughs- See we thought the same thing about each other.
J- I'd just say how are you and leave it at that.
H- Things move slow sometimes
R- It's alright..it's been perfect timing so..///
Schutte#2 @11:20- H- do yo think either one of you could ever… have you ever dated city kids…(uh huh) what's it like?
*R- Awful. They don't have any idea how to relate to us. They thought I can wear the pants, and I can wear the boots, and I was like that's not where it's at..you don't have a clue how I was raised. It's so much more than the looks (laughs)///
Schutte#2 @40:32-
H- What do you want your kids to take from what's in your life.
R- Growing up on a ranch..definitely. That's one thing I would not give up for them…and music.
///
41:40 H- When did music ring a bell with you?

R- With my dad when I was very young… He always played for my mom. I remember him singing love songs to her when we were 2, and 3, and 4. An d he'd sing to us. That's my Dad

H- He sang love songs..that's romantic.

R- Dad's a romantic, he is..(laughs) all the songs, he'd get her wild flowers. Thats the side of dad you never knew

MUSIC: Nighttime in Nevada

H-18 HAL: The Schutte family's love for each other, for the land and animals, and for their God, it overflows. Their songs are a reservoir of love.

***Show Hal turning on car radio & GO's "Top Hand" coming on.

H-19 HAL: I've decided to head east, across the country, to visit a true-blue old-time cowboy named Glenn Ohrlin.

H-20 Glenn is revered everywhere as the man who knows the cowboy songs of the trail drives of the 1800s. It's a long journey and seems a little odd driving to the Ozarks of Arkansas to find the heart of cowboy tradition.

But Glenn came to here over forty years ago when a guy could still get into good grazing country for $4 an acre.

Ohrlin 1-Follow Hal House
H- Glenn! How you doing..good to see ya.
GO- Hi Hal…good to see ya…you made it.
(trim middle)
(Hal walks inside)
H- God what a great place…this is nice!

H-21 HAL: It sort of looks like an old western hacienda. I've known Glenn since the 70's and bought his first record when I was in high school.

Ohrlin7a@ 37:27GO-That's me when I was 4 I suppose. I was born in '26 and this says '30. Here's me ridin' in 1950.
H-Looks like you're on top of the world.
GO-I tried out 9 horses that day
Ohrlin#1 @36:45 GO - that's where I broke my back in Tucson in '58
HC - Is that you there?
GO- that's my head, body, and feet. I had the wildest spurring lick at that time, throwing my feet way over my head and dropping my spurs. He was just too strong. He took the rigging away./// I got a compression fracture. That means got mashed a little bit. Wore a cast for 3 months.
***trim the audio @ end to help it move along

H-22 HAL- Glenn remembers every scene from his personal wild West with incredible clarity. His rodeo days seem to resonate even more than the time he was honored by the President for his contribution to American folk art. Though he hasn't rodeo'd in years he still travels all over the country singing. Our Cowboy Poetry Gathering wouldn't be the same without him…

***CPG#4 @9:11 / CPG#5 @2:32- Boomer Johnson

***At verse "…to see him perforate 'em when he tossed them in the air" begin "return to work" sequence.
***song continues through montage

H-23 HAL: Glenn used to just sing for himself or his rodeo buddies until a folklorist named Archie Green came around in the early 60's and invited him to come to a college campus folk festival

Glenn: Archie Green

H-24 HAL: At seventy-five, the satisfaction of a self-dependent life keeps Glenn going way past the age when most people hang it up and retire.

More montage....

H-25 Every song brings back memories of the cowboys and old timers who taught him the life and the music.

Ohrlin#3 @51:31- Ollie Gilbert she's long dead now…she had a 1000 songs written on a narrow strip of paper, like you type up grocery prices on…the old fashioned deal. She had a thousand songs. Then she had another strip of paper with 1000 dirty jokes on it. ///
HC- She knew a thousand songs and a thousand dirty jokes.
GO- She sure did…You'd pick one out and say, hows this one go?

Ohrlin#3 @54:00
***HC- So why do you think cowboys have music & other groups don't?
GO- Well, I suppose isolation. Gee I've spent a lot of time here just pickin' the guitar & stuff.
Ohrlin7a @17:23


Dos Arberitos.

HC- How much, how much time are you alone?

GO- Most of the time, unless I go to town for coffee. Once in a while I hear some philosopher telling on the tube what you oughta do to, you know, to get along with yourself. Usually I recognize what they're talking about cause I've always done it. And one of the things you do, if you live alone, if you're not too damn far from people, just go where they are and visit for an hour or a half hour or something like that, and then come home.

"Heartaches by the Number "- Hootenanny

Ohrlin7a @10:39-
HC: So you've been here 46 yrs. (yeah) To some people do you think you're still a new comer?
G-Oh yeah, uh huh.
H-Really?
G-Sure, uh huh.
H-Do you feel like you're an outsider here?
G-No///I don't feel like an outsider, but…I'll never be exactly like some folks here, I don't guess. I never really intended to. I kind of hung on to what I brought with me, so…
H-Yeah. I mean, this house is very different than any other house in the neighborhood

***(we could combine the 2 questions about GO's house{-:19})
H-But the thing is, its so much more than shelter, I mean every time I look around, I see a painted beam, or a carved door. Everything has art…
it's artistic. ///
GO-Yeah. Well, some places I don't know… I know, Mexican people and Indians are artistic and a lot of cowboys are artistic-a hell of a lot of artists, guys that can draw. And there's a few people here that are. There's some people that really paint nice pictures and things, but... The whole lifestyle is, I think, right here, the least artistic of any I've ever come across - in everyday things, you know. It's just uh, I think it might be something to do with the general religious idea here. That you don't enjoy things too much, you're supposed to suffer you know.
H-Oh

GO- I know a lady up the road here who drank sour milk so she wouldn't enjoy it too much. That's kinda pushin' it I think, and I'm just the total opposite.
(laughs)

MUSIC: "The Cowboy" ??? call title

H-26 HAL: Glenn knows solitude but he's not lonely. I guess that's part of the pioneer spirit -- striking out on your own, alone. That's Glenn Ohrlin's song.

Ohrlin 7a @12:40- I just go my own way wherever I'm at, so the heck with it.

MUSIC: ENDS

Wolfteeth Mountain Fog...

H-27 HAL: Cowboy spirit and spirituality take many forms. I think I'll head north to Montana to visit an Indian cowboy. His cowboy song has a very different essence.

RB#1 @20:00- HRB- (Crow)…When you're in the fog they say you're closer to the maker. I always think of it as being blessed.

H-28 HAL: Henry Real Bird and I were born the same summer in two different worlds.

RB#7 @17:40- HRB sings I'm from the Wolf Teeth Mts, no one to call my own….

SOUND: horse herd running

RB#2 @5:36- HRB shouts to J in Crow

RB #7 @ 45:37 HRB-My grandpa taught me how to ride like that. Take me out there when I was young /// and then just flat uh, ride him and close your eyes and then he'd whoop that thing and and he'd just go, go jump over the sagebrush and everything else. And you just ride him like that./// 45:28 And then going (sings in Crow///44:10-end of song)

RB#9 @21:30- My grandpa, he'd always say that uh/// the cowboy's as close to being an Indian as you can ever be. And I always appreciate that. (***trim laugh)


H-29 HAL: I used to think cowboys and Indians were mortal enemies -- that was before Henry showed up at the Cowboy Poetry Gathering. I found that like cowboys, Indians raise cows to avoid punching a time clock. ...And, of course, there's that shared love of horses.

Henry riding/ singing under

RB #1 @44:37 You always want to belong somewhere. And uh, me, I've never really thought of anything else. I mean, I just belong on a horse and and to be able to live around the horse and I've never wanted to uh, any other, any other way of life./// just hanging around the horse and no pressures/// that's what it's all about. You know. Any questions?

(***trim excess @ top)
RB#5 @11:50(phone rings) HRB-Good morning…Little Big Horn College…Real Bird speaking…how may I help you. (Speaks in Crow)

H-30 HAL: Yes, I do have a question…what is my bronc-riding buddy doing as a college president? I knew Henry loved to teach poetry, but head honcho?

RB#5 @16:25 HRB- The paper is freedom, the paper is freedom/// this is what writing's all about…to me. ///18:18- You don't have to be afraid of anything…that's your paper. /// You can have anger in there if you want, and beautiful feelings,(fade under Hal) and joy and you can have happiness and you can have peace…whatver you want there.

H-31 HAL: It's almost like a wild bronc ride, following Henry's poetic thought process as he takes students along for the ride.

RB #5 @57:24- I was at the racetrack and uh, they had me down as a trainer and uh, /// this old man, Jimmy Door, he's one of my clan uncles and he come over and uh, Jimmy (not English), Jimmy what are you doing? Usually you don't come to the racetrack I said. And he said yeah, (not English). Driftwood I am like, my hearts weigh I can't do I'm catching a ride. That's what he said. And so I, at that time uh, I, I liked it so much I gave him uh, $5.00 even though I could have bought drinks with it, I gave him the five and asked him if I could use those words. (Not English) and he said yeah. 58:20 Give it, I give you those words. (Not English). I give you those words and still ask for good thoughts for you. /// 7:00:02 so I uh, I thought about that driftwood. In life, me, I've been floating all over the place and man I'm not, I'm not really into it sometimes. And then it just, it, it, it just sets me down here and then picks me up and takes me around./// 7:01:44 So anyway,/// (Recites poem - Driftwood Feeling).


H-32 HAL: I wonder how Henry prepared for this new job. He swings his briefcase with the same ease he rides a horse.

RB #5@ 1:20- (*** trim the top)
10:29-HRB: I've had a lot of trainers to be here, uh, from my grandfather and then uh,/// (***lose reference to BIA officials) I've had college professors and rodeo coaches ///10:50 Uh, and there, a lot of them are horse people and so uh, and, and on a horse, you get the horse ready to, to uh, pay attention and then you bring it along to where you can ride and then you can get it too, just like this picture here. Uh, you have just the a rawhide strap in his mouth and you can get that horse to do anything you want. /// And that's the communication that I'm talking about. /// And so horses, you take care of the horse before you took care of yourself. And so if somebody that has been around horses comes into a position like this here, the people come first.

"Lone Star Woman. Hrb on horseback/ desolves into horse on edge of river through smoke

HC- So tell us where we are…
HRB:Oh, you're over here uh, you're on the west bank of the Little Big Horn.

HC:Right here this is the Little Big Horn?

HRB:Little Big Horn right there yeah. And that uh, that's Medicine Tail Cooly on up there./// And Custer come down the flat here, tried to cross the river here and then the story is he went down and the rest of his men were chased on up to uh, Custer Hill there.

H-33 HAL: I'm honored to be invited to the Real Bird sweat lodge. A sweat lodge is outdoor sauna full of prayer and observance. Sort of like a Crow Indian song, I can appreciate it but I'll never know the depth of tradition I'm being led into.

(***Trim the top)
RB #3 @54:13
Now today, my little brother, we're going to bring one of our uh, clan, clan uncles in and have him pray today and that's what we're working on. ///Here, we uh, therapy in a way. Where we're free to talk anyway we want(Car driving by) and it stays here and so we last in the men, we pray and everything but we laugh not. Just forget about the problems of the world for awhile and that's the fire that we have here. And we welcome everybody. You know. We're going to gather some, get some water here..
(walks over to get water)


H-34 HAL: Henry lives the rituals that have been handed down from his ancestors. But he doesn't stop there. He uses poetry to explore back to a time before there were even words.

RB #4 @31:52- HRB I wanted to go as far back in time as I can and to describe it and it to come back and so then uh. 32:04 At one time, a long time ago, when silence was not a word. There was nothing but air (unintelligible). When silence was and not a word. There was nothing but air that's black and all shadow and dark night. And then it was old man coyote that came up and howled. And then going on like that. But, but on that on there what, I'll never forget that it must have been about two in the morning I thought ///when silence was and not a word. 32:38 So, so I got in the car and went over to this friend of mine and I woke him up and uh, he let me in and told him Duane, I got it. This is it. I mean, I went as far back as I can now. And he said that it was. A beautiful. It's beautiful. I mean, you got it. /// And so I just go out and search for thoughts and rhymes and just move around like that.
RB#4 @2:57 HC: I wanted to ask you one thing. Um, you know, before I came up here I don't think I understood your poems very much but when I came up here it just sort of seemed like your poems were an extension of, you know, your prayers and your songs and sort of everything. Is, I mean, how would you differentiate between your poetry and just your everyday life?///
HRB- This is part of it..this is part of it. ///12:56, There's really no difference, no distinction anywhere as far as uh, thinking and moving along with uh, writing and uh, just like I've got that one for, that I've done for Wally. I was just down over there in the summertime and I say this uh, the wind was moving the ash, ash trees there and the shadow there was, there was a, the sunlight and it was moving around in there and that's when old Wally had that heart attack. He had it what about July or so? Somewhere in there and this was about August when I was over here. And so I wrote him...///19:35 And today, as I let go a hoolahan into the dawn among a silhouette of horse heads held by rope coral. But then that day was many winters ago. To good horses you are drawn. I have asked that you ride the best of beautiful words to create images of life's reflections filled with feelings of reality.Winters many, may you ride the best. As sunlight moved in the wind among the shadow of an ash tree, I gave the sweat lodge a drink and the absence of memory and old feelings sprouts in the charred remains of life. It is customary that I have no doubts. Wishful thoughts and prayers through dreams strive for peace in our souls. May you ride the best through the four different grounds upon our sacred Mother Earth.

 

 

H-35 Hal: Henry Real Birds entire life, every word, is a poem and a prayer. He is a cowboy Indian. But deep down he sings the song of the food gatherer.

Henry's tells me about his ancestors and their ceremonies to entice herds of buffalo to the cliffs edge. It's almost as though he were there.


RB#7 @50:57-HRB I can still hear, hear the thundering of the hooves. And trembling, trembling through me and I am one with my Mother Earth. My heart beats one with my Mother Earth. From the many hoof beats. As the buffalo shoot out of the horizon to ricochet off /// the fences of smoke./// In between uh, the last pile of rocks where urinate the virgin girls. The, the best of what th\e Shot Boulder Mountains and the Bighorn Mountains and the Wolf Teeth Mountains have to offer.And the buffalo jump off and then we just, and then we bloody the water. And then we, we have, we put the best of food in our mouth and grease the edges of our, of our mouths and when our dogs are eating good, we to are eating good. I am a food gatherer. That's who I am.
HC driving down road, puts S Davis CD in player

H-36 HAL: As I leave Henrys ranch I realize how ancient and universal the song of the food gatherer is.

There's so many easy answers to why the cowboy sings --- like cowboys have too much time on their hands' or they're tricked into singing by the rhythm of their horses' canter. Maybe they hear too many coyotes howlin at the moon.

H-37 Now I'm off to make my final visit to a songwriter named Stephanie Davis. She moved back to Montana a half dozen years ago after a stint in the country music fast lane of Nashville.

MUSIC: Prairie Lullaby

SD#1 @38:38- SD- There's just something very satisfying about feeding these things///39:43- I'm doing something useful and practical…feeding something that's waiting for its breakfast. They're glad to see me…and seeing what new babies were born during the night and everyday the sky looks different here. Little things you notice-you'd think it would be the same every day, but it's totally different every day.///

(pause)

SD#1 @43:15-Everybody has the feeling of being home when they're where they belong. Even if it's not necessarily where they were born. The minute I drove up the road here…it's a funny thing I had my dad and half the family looking for a place for me & I told them what I was lookin for me, and one day my Dad called me and said ' I found your place. ' And I got on a plane and came out to see…crossed the cattle guard and immediately knew it was my place…I'll take it! It felt great and it still has that feeling, I'll come home from a trip and it feels great.

44:02- H- so you're a writer..you know a lot of people think..manure? ///

SD- It's the smell of home for me, it 's the smell of when they cut the hay, the different seasons mean different chores, the whole life is tied in with the weather. When you live in a city so far removed from the land, I found that it robbed my soul. I was disoriented.///41:24 I'm writing stuff like I've never written..a whole new style of writing. It's like I'm writing down what I'm hearing instead of trying to make something out of nothing

MUSIC- "Crocus in the Snow" in progress

SD#2 @4:40-- I think I was born rhyming words. I remember early 3 or 4 yrs old…I opened the refrigerator and I was rhyming all the vegetables…I was just rhyming all the time I don't know where it came from …probably drove my family crazy. And I grew up about 30 miles from here.///10:43- My grandparents homesteaded just over the hill here, and they had a beautiful ranch, and the sheep mkt bottomed out in the 40's and they had to sell it for a pittance, I suppose a lot of families that lose their places and move off of them have that feeling of being displaced and I think I noticed that throughout my family.

12:25- H- So is moving back here reclaiming that in a way?

SD- it's the most beautiful ironic fairy tale for me. When I was 5 yrs old I told my parents I'm gonna live on a ranch and I'm gonna play music. And of course they thought that was funny & I did too. I never saw how that could possibly actually happen…
///5:13-. And I sure didn't think you could make a livin' at it. It just was something I had to do. I remember I told people I'm gonna move to à Nashville and they said you're crazy, don't do it, it's impossible, including my own family. They said have you lost your mind completely. And I had probably 300 dollars to my name & this old Datsun B210. Just moved there didn't know a soul and had
no idea. Just a few terrible songs.

 

H-38 HAL: Stephanie was the starving songwriter for years before talent and gamblers luck finally paid-off. No one was more surprised than she was when success hit.

SD#2 @ 9:11- I got my first check and I took it to the bank and I tried to deposit it in the automatic deposit, and it rejected it because I had only about 9 dollars in my acct & they thought it was some fraud, and I had to go into the bank and prove that it was a legitimate income.

9:34- H- What song was that?

SD- That was from Wolves, the song that I wrote that Garth Brooks recorded.

MUSIC: "Wolves"

"January's always bitter, but Lord this one beats all
The wind ain't quit for weeksnow, drifts are 10ft tall
I been all nite drivin heifers closer in to lower ground
And I spent the morning thinkin'bout the ones the
wolves pulled down.
Charlie Barton & family stopped tday to say goodbye
He said the bank was takin' over, the last 2 years was
just too dry. (music continues under)

SD#2 @9:40-. It's a song about a guy losing his ranch, and I never thought anybody would be interested in it Nashville-wise. I just wrote it for myself and it was the farm crisis of the 80's were going on here and that was on my mind,

H-39 HAL : "Wolves" is a lightly veiled story Stephanie's family knew all to well. Sometimes you can't write by the formula. It has to be mainlined from the heart.

SD#2 @15:45-H- You talked about what a good learning experience Nashville was…but also it came to be oppressive, can you talk about how it messed with your life. ////

SD- The nature of Nashville is that it's a factory of music, it's an assembly line and I signed on to work at a publishing company as a staff worker, and that means it's a big machine that needs to be fed. I was a cog in a wheel allegedly writing songs for other people. But that's not what I set out to do in my life. I set out to write songs about things I cared about, /// and the little voice in me kept saying 'this isn't right, this doesn't feel good' but I would still make it go into that cubicle and write a song for so-and-so who needed one, and I needed the money and I would try to write something and they weren't even that good. I just didn't feel good about what I was doing,///
*TRIM17:35- And for me when I moved back here, I was so burned out that I didn't have anything to say. I could hardly make myself look at my guitar. My little spirit which is kind of like a little child inside, was just cowering and shaking from the abuse I'd hurled at it by making it do something it didn't want to do. This change of location and approach to writing..I cannot tell you what a difference it is. It's a joy just to come out here and just fool with words, and that's how it's supposed to be-it's supposed to be fun!

MUSIC: end of "Wolves"
" Lord keep me from being…the one the wolves pull down."

22:55- H- Tell me about your neighborhood.

SD- This is a wonderful place to live. It's a bunch of Finnish and Norwegian immigrants…a lot of 4th generation Montana farmers & ranchers. ///
You'll meet them…we'll go play a concert and you'll see what I mean. They're just the salt of the earth.

SD#3 @53:17- They're so stoic and tough…jeez a hail storm can come and ruin their entire crop of wheat and they'll just shrug and say 'well next year.' They don't whine..and if that was a person from the city who just lost their year's income, they would say more than next year, I think.

H- that just catches in my throat to hear it.

*SD- It does. 54:49 There's a lot of beauty…/// The wind and the weather to me carve out a lot of beauty to the faces here that I never noticed when I was growing up here, but after growing up and coming back, you become part of where you live. It chisels you and shapes you and your sense of humor is carved out of the wind and weather and time of the year, and the chores, and it's beautiful. è

SD #4 @51:25- Sylvia's prayer: Dear Lord we thank you for this food and let us have a good time tonight and enjoy each others company. We ask this in Jesus' name…EAT!


SD#5 @3:00- (people applaud for SD)
SD- Thanks everybody for comin' I'm honored that you took time to come out. /// And I'm so proud to be here. More......

SD#5 @33:58- "Somethin 'bout Montana"

H -40 HAL: The feeling of community flickers bright like the candles that line the window sills of the White Bird School. Stephanie weaves a spell spun from heartfelt songs, swing tunes and even some down-to-earth cowboy humor.

Stephanie: "Spotted Ass" thanks you. applause

SD: I moved here about 4 or 5 years ago, after just getting beat up by the music business, and I picked that place up there where I live cuz it's at the end of the road, & I wanted to hide from the world and lick my wounds, but you guys didn't know that, and you came up with casseroles and taught me to run the tractor and plant pickles and plant gardens & you didn't know it, but you were really nursing me back to health. And I don't know if I ever really said thank you for it, but I'm saying thank you right now. Here's a song, it's a new one.///33:32- And I'd like to send it out to everybody that does what they do for a living even when it doesn't make sense or pay. Gee I guess that's everyone here (laughter)


SD#6 @6:36- SD- Well this has been so fun, we've got one last tune for you & we really need you to sing on this///7:20- And I just wanna thank you again…a special thanks to Sue & Sylvia for ram-rodding the food. What a wonderful place to live & I'm honored to live here and call you friends and neighbors.

D#6 @7:51- "Home on the Range"

H-41 HAL: Home on the Range is an anthem of sorts. Most people know it and it's been the finale to countless nights around the campfire. It's about the western spirit of hope, living the good life.

H-42 I have to admit there's lots of reasons cowboys sing. Glenn Ohrlin inherited his song from a line of horseman going back to the trail drives. But it's not just tradition, there are new songs for the West, grounded in its land and people. We're always rewriting the verses.

H-43 I keep thinking how Waddie Mitchell answered my question with a question, "Why does the frog croak? Maybe its just that obvious, cowboys sing because its natural for them to sing. But, that brings up a bigger question, why don't more of us have a song?

script
credits and biographies
links
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