On an early autumn afternoon, in his parent's ranch in Norman, Oklahoma, gay teen Zack Harrington killed himself with a gunshot to the head. One week earlier, Zack attended a local city council meeting in support of a proposal for LGBTQ History Month in his bible-belt town. When the floor was opened up for public comment, some community members made highly controversial statements equating being gay with the spread of diseases such as HIV and AIDS. Against the backdrop of a town bitterly divided on the issue of homosexuality, Zack's grief-stricken parents, both conservative Republicans and military veterans, are forced to reconcile their own social and political beliefs with their son's death. Determined to understand Zack, they discover a private diary, which paints a gripping portrait of a boy in crisis. Ultimately, they discover a chilling secret that Zack kept hidden for almost two years, which leads them to some painful conclusions about their son's life and death. When an outspoken conservative citizen runs for City Council, the Harringtons decide to join a politically active group called "MOMS: Mothers of Many" (mainly comprised of local mothers of LGBTQ youth). Over the course of the local election season, we witness Zack's family, once private and politically conservative, come out of their own closet, moving from private denial to a climactic and very public acceptance of their son's legacy.
At the age of 45 Laury Sacks, an ebullient actress and the doting mother of two small children, had a reputation as the quickest wit in the room. At the age of 46, she began forgetting words. Soon she could barely speak. Looks Like Laury, Sounds Like Laury, is one year in the long, but short journey of frontotemporal dementia, a little-understood disease that strikes people in the prime of life.
Filmmaker Charlotte Glynn moves home to chronicle her sister Rachel's last year in school. Rachel is developmentally disabled, and the resulting film, Rachel is, moves past the safety of political correctness and into the most intimate and honest moments in their family's life. Rachel is mysterious, funny, difficult and full of contradictions but she wants what most people her age want -- to move out of her mother's house. This dream of independence seems impossible. Rachel can't be left alone and the social services needed for her to live an "adult life" are unavailable.
In the spring of 2012, four best friends drove across the country in search of adaptive sports for individuals with physical disabilities, and lived to tell the story in a feature documentary film. From rehabilitation patients to Paralympic athletes, our cameras captured the reality of broken boundaries and common goals among all who are active. We went rock climbing with the blind, played soccer with quadriplegics, and swam with those with muscular dystrophy, to name a few. Through our journey, we learned that sports really are the great equalizer, unifying people of all abilities on a level playing field.
Yellow Fever follows young Navajo veteran, Tina Garnanez on her journey to investigate the history of the Navajo Uranium Boom, its lasting impacts in her area and the potential new mining in her region. She begins as a curious family member and becomes an advocate, lobbyist, activist and vocal proponent for transparency and environmental justice.
In May 2003, Fox Company of Marine Reserve Unit 2/23 returned home from front-line combat in Iraq. Reserved To Fight follows four Marines of Fox Company for four years through their postwar minefield of social and psychological reintegration into civilian life. The return to their communities proves as formidable a battle as the more literal firefights of previous months. Living among loved ones who don't yet understand them and how they have changed, contending with a media focused on the politics rather than the human experience of war, and suffering from a psychological disorder that is difficult to acknowledge, these young veterans grapple to find purpose and healing.
Where God Likes to Be focuses on three young protagonists full of hope and promise-Andi Running Wolf, Edward Tailfeathers, and Douglas Fitzgerald-following them over the course of a summer that marks a turning point in all of their lives. Each grapples with whether to leave, pursuing opportunities far from home, or stay behind with friends and family potentially struggling with limited opportunity and marginalization. A picture emerges of the Blackfeet Indian reservation as a cherished home that nurtures identity.