An Elegy for South Louisiana looks at the disappearing culture and environment in Southwest Louisiana: its marshlands and man's calamitous engineering mistakes, and the unique habitat that gave rise to the Cajun and Creole, music, culture and people left in its wake. With compelling footage and expert commentary from Bob Marshall, a local Pulitzer prize-winning journalist, among others, the film documents the facades and interiors of a good number of famed but decaying dance halls. Riveting performances by leading Zydeco proponents such as Clifton Chenier and Beau Jocque are juxtaposed by thorough and thoughtful explanations such as the rapacious dredging of the Mississippi River Gulf Outlet through wetlands to give oil tankers direct access to the Gulf of Mexico. Louisiana, a major source of energy for the nation, is being destroyed bit by bit and the region's eco-system and marshland continues to be damaged by flooding due to both storms and river reconstruction. Like the famed music of the region, the documentary is both a love letter and a lament over the destruction of the region and by association, the decline of its culture and way of life.
Come Hell or High Water: The Battle for Turkey Creek follows the painful but inspiring journey of Derrick Evans, a Boston teacher who moves home to coastal Mississippi when the graves of his ancestors are bulldozed to make way for the sprawling city of Gulfport. Over the course of a decade, Derrick and his neighbors stand up to powerful corporate interests and politicians and face ordeals that include Hurricane Katrina and the BP oil disaster in their struggle for self-determination and environmental justice.
A documentary that uses Harper Lee's 1960 novel To Kill a Mockingbird as a lens to view race, class, gender and justice -- then and now. Woven through OUR MOCKINGBIRD is the story of two extraordinarily different high schools in Birmingham, Alabama who collaborate on a remarkable production of the adapted play, To Kill a Mockingbird.
Eighty percent of women in US prisons today are mothers of school-age children. Filmmaker Jenifer McShane spent four years visiting Bedford Hills and following the women and their families. A mother herself, Jenifer was drawn to the universal themes of motherhood and the staggering power of the mother-child relationship. In all walks of life, mother and child care for each other. As we watch the mothers inside Bedford trying to become their better selves, we see parts of our own selves - and that gives us all hope.