Dionicia M. lives in the stables at a California racetrack and works long hours caring for racehorses while her teenage son Jose Luis is turning heads as a hotshot apprentice jockey. Dionicia and Jose Luis have gambled their futures on the hardscrabble sport of horse racing. Will they succeed or will their lack of immigration papers prevent them from achieving the stable life of their dreams?
The the ups and downs of a girls' soccer team reveal the very real obstacles that low-income students confront in their quest for higher education. Set in a primarily Hispanic neighborhood, Kelly High School on Chicago's south side is an inner city public school struggling to provide the basics for their students, many of whom do not make it to college, either because they cannot compete academically or because their families do not have the financial resources to send them to college. The girls face an uneven playing field - or in the case of the girls at Kelly High School, no soccer field at all - little or no support, problems at home, uncertain futures, discrimination, and poverty, but remain undaunted thanks to their teammates and the dedicated mentoring of their coach.
We Like it Like That tells the story of Latin boogaloo is New York City. It is a product of the melting pot, a colorful expression of 1960s Latino soul, straight from the streets of El Barrio, the South Bronx and Brooklyn. Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history, through original interviews, music recordings, live performances, dancing and rare archival footage and images. From its origins to its recent resurgence in popularity, We Like It Like That tells the story of a sound that redefined a generation and was too funky to keep down.
At a popular bakery cafe, residents of New York's Upper East Side get bagels and coffee served with a smile 24 hours a day. But behind the scenes, undocumented immigrant workers face sub-legal wages, dangerous machinery, and abusive managers who will fire them for calling in sick. Mild-mannered sandwich maker Mahoma L?pez has never been interested in politics, but in January 2012, he convinces a small group of his co-workers to fight back.
A candid look at what it means to be transgender, told through an intimate portrait of trans youth advocate Tony Ferraiolo. Gender identity first appears in childhood and some kids feel that they were born in the wrong body. It is a scary time for both them and their parents as they make the transition journey from one gender to the other. This is a film about someone who helps them get there safely.
In Kartemquin's American Arab, Iraqi-born Director Usama Alshaibi takes a provocative look at the contradictions of Arab identity in post 9/11 America, weaving his own life's journey and "coming-of-Arab" experiences into the life stories of several diverse characters. Exploring the values, passions, and hopes of his fellow Arab-Americans, Usama tries to make peace with his conflicted chosen homeland. Arab-Americans are not one monolithic group, but rather a diverse and complex array of many voices and cultures. This film weaves sadness and humor, anger and satire, provocation and understanding, embracing the multifaceted Arab American experience of post 9/11 America. By shedding light and giving clarity to a recent and difficult time for Arabs living in the US, American Arab shows how the struggles over identity within this documentary are universal.